The starting point of the process of working on the play is the anamnesis of three generations of members of the Kojadinović, Đorđević, Minić and Gallon families, incurably infected with the game. The dance meeting of 20-year-old Andre Gallon, a dancer of Orlando Ballet (USA) and his grandmother Natalija Đorđević, aged 95, former dancer Smiljana Mandukić and later a ballerina at the National Theater, as well as dancers of several generations, will try to answer some of the questions we asked ourselves: Is there a genetic memory of movement? Is the love of the game passed down from generation to generation? What are the physical limitations that age brings, and is it possible to play with the hands, head, and eyes just as excitingly and inspiredly?