“The stage is darkened, the dancers are distributed throughout the space like brightly lit chessboard figures: vertical and well organized. On the stage of black and white distance, the theme will be dominance rather than connection. When your body warms up: agitated and repetitive, it never stops, a feeling of a constant message. Yet, at the same time, resistance increases. What kind of register of dance are we in? What kind of observer will we become, falling between two chairs? RADIATOR is a choreography of stripping away and an attempt to constitute itself as a cathartic event: it is a return to dance gestures as energy, not as form or composition, a return to trance and to connecting with a new aesthetic period.”
— Isabelle Ginot